Darbar Movie Review & Full Movie, Story

 Cast: Rajinikanth, Sunil Shetty, Nayantara
Director: AR Murugadoss

Dirty Harry gives Rajinikanth an AR The Durbar of Murugadoss, a messy, heavy, mediocre film that features as a megastar vehicle. The 69-year-old superstar plays the role of a 40-something super cop who does not back down from following the rules in search of criminals. Makeup, outfits and lighting by veteran cinematographer Santosh Sivan do a sterling job to persuade us that Rajinikanth is quite upset. But never mind any film that features superstars these days can circumvent the age issue. Not a court But more on that later.

Rajinikanth's charisma remains intact and is on full display in almost every frame of the film. Sadly, there is no one else in this potboiler who relies solely on the lead actor to provide the broth with a het that can compensate for the lack of substance flashes. The Darbar is targeted fair and square among Rajinikanth's fans, but this spice does nothing to give cinema a fresh shot of energy.

Rajinikanth is taken on by Aditya Arunachalam, a feared soldier, who is appointed Mumbai Police chief and is tasked with a very specific mission: ending the city's drug mafia. Before the scene of the protagonist's introduction, which is a very big fall, viewers are treated to news footage about an encounter expert who shoots before talking. The first 15 minutes of the court offers a lot of entertainment. For Rajni fans, this is a very good deal. The film leaves no room for confusion in his mind. They know what to expect from the court and superstars.

Arunachalam's arrival in Mumbai shakes the spine of the rogues operating in the Megapolis, but the cinematic payload that saves the autocratic protagonist is under the mark. There is no adrenaline rush nor any emotional tow that can hold a thin narrative together. The court lacks what Rajinikanth expects from the film.

The actor, despite the fact that it is unnecessary to say, does not give up any effort to make the character work.

Arunachalam's record of extra-judicial killings has shocked the Human Rights Commission. When the members protest a lot, he not only gives them a piece of their mind, he seizes them and runs away with her. The film reveals that Arunachalam is a psychologically disturbed man and therefore he has been given ways that can be difficult to understand when he goes to the rule book. This is a problematic situation whether you look at it from the point of view of acceptable police methods or from the prism of mental health.

Arunachalam quickly discovers that Ajay Malhotra (Prateik Babbar), the son of a wealthy industrialist Vijay Malhotra (Nawab Shah), is an important figure in the drug peddling ring he has to expose. He brings the culprit to book. But Ajay gets a proxy to spend time in jail. While under the shelter of the Police Commissioner, Ajay takes no time to pay for his crime.

The drug network's mastermind Hari Chopra (Sunil Shetty) returned to India after a stern action by the 27-year-old Mumbai police to face Red. He is out to settle the score with Arunachalam and his daughter Valli (Nivetha Thomas). The rest of the film is devoted to the heroic deeds of the protagonist that aims to destroy Chopra's crime empire.

The father-daughter relationship, which could have been a major component of the plot, is only a cursory concern, robbing the film of its sheer depth. Furthermore, the protagonist's interest, played by Nayantara, is given a small edge by the script.

Durbar is a lengthy and shrill film that takes ages to gain momentum but saves a dormant first half. But except for the first quarter of the latter segment of the interval, it sinks into a state of torture that even Rajinikanth's magic cannot shake it. Although Sunil Shetty has his moments, there is no major performance between the hero and the villain. A big film by Rajinikanth without a badge that seems incomplete to give the hero a run for his money.

Pt. After playing the roles of his age in Ranjith's Kabali and Kaala, Rajni, on popular demand, returned to play the role of younger heroin last year's Petta, a tribute to Karthik Subbaraj's fan megastar. Under the director of Murugadoss in the court, the actor moves in the same vein, designed to allow Rajni to pluck and prove that age has not slowed her down a bit.

When a coworker suggests that Arunachalam is happening in years and therefore he should make it a little easier, he says that age is only a number for a person who is convinced that nothing is impossible. It is actually Rajni who, under the guise of a screen character, talks to her fans and each other, saying that she still has many years left as a crowd-puller. What is worrying is the way in which Star-Pooja implicates Rajni in a bubble, preventing her from re-establishing herself as an actor.

Everything Rajni does in the court is aimed at her fans. While the star does not miss a trick, Murugadoss makes the mistake of not doing enough work on the screenplay. Dealing with a weak plot steeped with holes and convenient twists that Miles can see from afar, he is unable to do anything for the films that have given him the profile he enjoys (Ramna, Ghajini, Thuppakki ).

The Durbar, which was released in Tamil, Telugu and Hindi, is completely enticed by Rajinikanth's fans. The film is disappointing. There is no accommodation.