Good Newwz full Movie, Review, story

 Cast - Akshay Kumar, Kareena Kapoor, Kiara Advani, Diljit Dosanjh, Adil Hussain, Tisca Chopra
Director - Raj Mehta

The last Bollywood release of 2019 is anything but good news. First-time director Raj Mehta's Good Nouveau - yes, the spelling that the title adopts, presumably to hint wildly and vaguely at once - is a sterile, still-born comedy that hinges on a fertility clinic mix. Is what sends two culturally dissatisfied couples into a spiral of despair and confusion. Both states of mind are likely to break out of the movie's pulpit universe and rub off on everyone, but Mumbai's film fans are the most generous of those who might be inclined to fall for its gossamer veneer and full-bean star cast Huh. But that film has at least one hope of Karan Johar as co-producer.

Featuring a quartet of beautiful people whose fortunes get entangled in the ovaries of two childless women, the film revels in a mediocre swim. It works hard to be fun but is never more than mildly entertaining. The good nouveau riche banks, with the belief that its audience will make all its shortcomings in its progress and warm up the tedium, shovels it out of its womb for whatever it is. All of this is done in good humour, of course, but the film has elements that vary with the modern worldview to convey its main characters. In addition to debunking the myth of motherhood and ending all of a woman's life, regressive assumptions about Good Nouveau pedals such as the role of gender in marriage, the division of class and education, and the nature versus nature struggle.

The first half, which revolves around a successful entertainment magazine that is seven years into their marriage, is so overwhelmed by the urge to bear a child that it puts tremendous pressure on her automobile industry executive-husband, When she is ovulating to go to work, she is completely banned. Parts of the second half, after a mix-up that takes place in a berthing facility, are infinitely lively, until the film reaches tearful territory when it begins to establish itself at the time of the climax. The precarious and abrupt tonal shift sows the seeds of uncertainty and weakens the comic time bra that attempts to script Jyoti Kapoor.

Good as it may be, Good Nouveau may not be a total washout for all classes of filmmakers. Take your ambitions in your progress, don't hope for the world and let yourself go with the flow of uneven scripts and chances are you can eventually accept it as a harmless ROM triggered by a monumental obstetric error Are those that cause a sperm swap. And puts the two couples in dispute with each other. Two couples, one from Mumbai, the other from Chandigarh, have nothing in common with the exception of their surname, Batra, which is the reason for the mess in the first place. One of the two couples is played coincidentally by Kareena Kapoor Khan and Akshay Kumar, again on the big screen after a gap of a decade. They are Deepti and Varun, a well-heeled, big-city, career-minded couple who decide to have a baby through in vitro fertilization when they realize that the end of their fecund year could be zero is.

Diljit Dosanjh and Kiara Advani added two people, who are the exact antagonists of Deepti and Varun. They wear a garland of honey and Monica, a vigorous, naive Punjaban couple. For Honey, sperm is spam. For Monica, English honours are English horrors and Gulzar's Raat Pashmin ki Raat Pasin. The world they live in is very far away from the place where the second Batra couple lives. Their paths cross because they are dr. Joshi (Adil Hussain, witty without vocals) and his fertility specialist wife (Tisca Chopra, captivating Rachna) sign up for IVF treatment at the same fertility clinic. During the process of implantation of the fetus, a technician makes a mistake that sparks a series of awkward situations that swing (all rarely) and swing between punches

When the Good Nouveau is incisive, it produces a mild degree of hilarity, something it produces with a liveliness that the Dosanjh brings to the table. When it is not, it is a beautiful walking path, silly and confused that wandering its way through small moments. But Kareena shakes her head in madness, stating that the plot is rusty and does not hold a white back, anyone can watch the film without worrying too much about the ride they make to marry the ride.

Akshay, shedding the saga of his patriotic change-agent for once, makes the most of the lightness of the plot. The roles essayed by Dosanjh and Advani undermine Bollywood stereotypes. The man is a small-town version of a Yoko, his wife being silly. Both are depicted in a corner from where they can react to the devastation that surrounds them, rather than just driving the narrative. The two artists do the best they can..

The cast members constitute sparks that save Good Nouveau from drowning in emptiness. The actors, not least Adil Hussain and Tisca Chopra, turn in spirited performances that enliven the scenes by delivering lines of corniest with conviction.

Unfortunately, the complexity and depth inherent in the principal plot point are beyond the can of a screenplay that thrives on broad strokes. Good News is a film that can be seen even as we prepare for the arrival of a new year and expect a better deal from Bollywood hitmakers.