Street Dancer 3D Movie
Cast: Varun Dhawan, Shraddha Kapoor, Prabhu Deva, Nora Fatehi, Aparshakti Khurana
Director: Remo D'Souza

 In Street Dancer 3D there is a dead end on a street with Deaders swinging around and swinging to a wild beast. It is a building built on a weak foundation: yes, a mound of debris is street dancer 3D as it falls under its own weight. It is a frenzied fit, an alleged celebration of dance. Cinema has been given a small place in the bargain.

The heart of the film seems to be in the right place and the crowd of feet presses it into service. Its head, if one is all in action, is unable to keep pace and makes the scenes so infantile and wayward that no one can wonder what the hell is going on. Thinking is the last thing Street Dancer 3D encourages. So why try?

This is a dance film that uses 3D for no purpose beyond the way the audience directs from the directed project. From doughnuts flying thick and fast to the sweep of a nightclub, to Nora Fatehi's waist, Prabhu Deva is seen flying his snow-white hat towards the camera. Amid this fusillade of meaningless missiles, one that disappears without a trace is a script.

Set in London, Street Dancer 3D, directed by Remo D'Souza, portrays a surfeit of Cacophonous Callisthenics emblazoned with a plot that swings wildly between the ridiculous and the sacred. If this Shankhanad written by Tushar Hiranandani would have been some better cinematic effort, we would have gone down to discuss its subversive core, which revolves around the pacifist theme, which draws the plight of illegal immigrants from the subcontinent (even Hee irrespective of their country)) dull in Britain.

For the first hour of the aggressively long film - it clocked in at 150 minutes - we are all treated to a dance routine inconsistently a bitter rivalry between two groups of actors for a home run together - an Indian, Punjabi Led by Balak Saheb Singh (Varun Dhawan), another Pakistani, focused on a Samanta Inayat (Shraddha Kapoor). They dance, they bark, they nap, they throw insults at each other. No matter what they do, the result is the same. It is all unmitigatedly juvenile.

Street Dancer 3D opens with an accident. A male performer who led the Street Dancers crew during a high-profile competition was cheered enthusiastically by a younger person among the screaming audience. The dancer falls awkwardly on stage and breaks her knee. Two years later, the younger man, the film's male protagonist Saheb, who, after travelling to Punjab to attend a wedding, acquires a dance studio and promises to fulfil his elder brother's dream.

An example of the story comes when Anna (Prabhu Deva), the owner of a nightclub, where young dancers gather to watch the India-Pakistan cricket match and are always seen fighting, reveals that they are eating that meal. With what remains. In his restaurant. He feeds homeless expatriates who have no legal stand in London and, therefore, must do it for themselves while avoiding the police. Ana chuckles: She has 3,000 such immigrants around her neck in the woods. They will have to spend huge sums of money to help them return to their respective countries with dignity.

One day, Anna takes grace aside and introduces her to the harsh realities that poverty-stricken illegal immigrants are against. You people are around each other in the name of nationalism and religion, he lectures it. These poor people, united with their tables, fight together, but they fight together.

All this was passed on to the great Darshan It was given in a more film. In the context in which it is explored here, it seems only a painful market. But there are moments in Street Dancer 3D that arouse hope. A member of the Street Dancers team falls in love with a girl from a Pakistani group who calls herself a rule breaker. The protagonist throws a fit, the loving boy runs over the Indians and joins the rivals. Love demolishes boundaries.

The hero himself is in love with a non-Indian girl (Nora Fatehi), a dancer who is part of a London team called The Royals. When push comes to Mukki, he thinks that there is nothing he can do for the British congregation. Here in London, this is a what-you-like dance that resolves differences to the extent that the mind's boundaries also disappear as the rivalry becomes dangerously intense.

Returning to Anna's need for money to help stranded migrants, the announcement of the 2020 edition of Ground Zero, a dance competition, sends everyone into a dizzying spell. The prize money is £ 100,000. So, Anna, who reveals her incredible dance moves when young people question her right to comment on her ability, favours gracefully and decides to give the competition a shot.

It's a free-for-all from here: the lines separating the teams are blurred as gracefully, which disguises her identity as a dancer from her conservative parents, receiving help and support from unexpected quarters Starts Phir mile sur mera tumhara, a late 1980s song composed by Bhimsen Joshi to commemorate the Republic Day, finds a fascinating change in the climax, which, in a radical departure, will make the entire subcontinent and not just India a nation. Accepts as.

ABCD: The stars of Any Body Can Dance and/or its sequel - Salman Yusuf Khan, Dharmesh Yalande, Puneet Pathak, Raghav Juyal and of course, Prabhudheva - are the ones to return these faces. They do their work honestly. It is not their fault that the film they are in does not allow their joint efforts to sit and add anything worth noting.

The thin plot features two major female characters. Neither is much agency allowed in this case where they want to go. Shraddha Kapoor, who has more footage than Nora Fatehi, is stuck in a role that barely delves. Nevertheless, the latter made it very wealthy. Varun Dhawan is all pumped-up but pushes the genre in an uneven performance.

Street Dancer 3D, a two and a half-hour long break, is strictly for dance lovers. If you do not belong to that category, then get out of its way.